Wednesday, 25 February 2015

Gary Hustwit – Guest Lecture

Gary Hustwit takes the stance that “if you want something, there are probably other people who want it too”. This is apparent in his concept and creation of the film Helvetica, he had this idea due to his love of typography and the curiosity as to why there wasn’t already a film about such and so he took this on as a project himself. At first the film was merely a side project until the widespread discussion of love and hate for Helvetica followed in the footsteps of some books, which were realised regarding such. This then kick-started his film-making career and it is through the same process that his later film “Objectified” came about. 

However when coming up with the ideas for films such as Helvetica and Objectified he didn’t want to go ahead and make the film straight off, as he needed to gauge if there was a market for such a film. Due to this concern he makes use of crowd funding platforms such as Kickstarter, both to gauge the popularity of an idea and to raise the money to start the initial stages off.

He advises us to not feel locked into a set path and to think of it as a collection of experiences that is what he has found has happened with his progression into becoming a film director. Hustwit says it’s important to do something you love, as clique as that sounds. For example he is now currently becoming more involved within photography and still photography. A useful word of advise which Vinelli told him is to not get obsessed with doing something different all the time. He explained when you create a language, or a typeface such as Helvetica, don’t be afraid to use it with other things. How I view this is like a signature, if there is something that works and represents your style then don’t be scared to use it in different projects.

At the end he opened the lecture to questions and answers to which another student asked whether Helvetica was his favourite font. In response to this Hustwit explained that he is very much “in the sans serif camp”, however although he uses Helvetica on occasion it isn’t his favourite font. He understands the purpose for the font and its modern appeal at the time of its creation though finds it to be very self-propagating in nature.